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Presenting Series 2's obligatory "main character is on a ship in distress on the second episode" episode.
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Difference on the very first frame, golly. The zoom out from the Neuroi hives starts slightly further out on the BD version.
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Quick flashbacks to last weeks episode, containing the same fixes.
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Sakamoto's chin has been redrawn, and the collary bit of her cloak has been adjusted.
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The shading on the crewman in the background have been tweaked.
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During the beach scene with Sakamoto testing her shield, the shadows have been blurred and lightened in this shot.
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Sakamoto doing the Mulan thing with her sword has been redrawn shinier.
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The TV version of this shot ends with a zoom while fading back to the present day, while the Blu-ray is static.
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The background has been given some focal blur to draw attention to the foreground, Sakamoto's cloak is darker and Miyafuji's right cuff has had fixed shadows.
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A few frames later, a single-frame dark patch under Miyafuji's shirt has been corrected.
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Sakamoto's Reppumaru has been redrawn with new shadows and highlights. Miyafuji's eyes are less shiny.
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The missing striker stand has been added behind Miyafuji.
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The sky outside the window is a deeper shade of blue, and Sakamoto's face has had some changes. Her eyebrows are longer and her visible eye is shaded darker.
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Her mouth has been moved downwards and a patch of shadow on her hair has been removed.
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Extra shadow added to her left ear.
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Again with the striker stand.
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Miyafuji's eyes are shaded darker and Sakamoto's mouth has been reanimated, alongside the previous tweaks to Reppumaru.
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Strikeerrrss.
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Different shading in this scene, Miyafuji's swimsuit and strikers are shinier, the big green indicator light is brighter, and the metal stand is more metallic looking.
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Shinier strikers.
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This takeoff shot has been reframed.
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Just like this flying shot.
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The sky is tinged with red and blue from Miyafuji blocking Neuroi beams with her shield. As an added bonus, the cockpit is shaded darker.
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The table in the center of the room has been re-textured with a nice wood grain, and the strikers resting ontop of it are looking much less flat.
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In this frame of Lucchini doing cute Lucchini things, her ear has a fixed inner shadow and the patch on her sleeve is slightly different.
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Ear, ear, ear.
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Lucchini's communicator has been added to her ear. Nice catch, director, I'd almost forgotten these things existed. A couple of lines here and there are slightly moved.
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Big diagonal shadow added to this shot.
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The clouds behind CGI Miyafuji are zoomed out.
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The clouds behind regular Miyafuji are zoomed out.
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This looooong tracking shot has been brightened up.
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A portion of the barrel of Miyafuji's weapon goes flesh coloured for a moment on TV. The obvious solution is to erase it completely, whoops. Additionally, her animal ears are missing shadows.
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More ear shadows.
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This tilt shot of Sakamoto is higher up.
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Miyafuji's eyes and nose have been redrawn, she now has a bead of sweat on her cheek, and hey look, another ear shadow fix.
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She's now gritting her teeth rather than just frowning.
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Minor tweaks to this shot of Sakamoto doing cool Anime things. A stray shine on her hair is removed and she has extra buttlines and crotchshines.
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It's weird they didn't fix Sakamoto just hanging completely motionless midair.
- This shot of Sakamoto doing cool Anime things has been reframed.
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For some reason, Sakamoto lost her shoes on the TV version. Besides that, the Neuroi damage shards are bloomier.
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An extra line has been added to Sakamoto's neck.
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Miyafuji blinking has been retimed by about half a second, and she opens her mouth rather than starting with it open.
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The pair have been moved marginally downwards. Miyafuji looks concerned.
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Shirley and Lucchini are looking a little sharper, and Shirleys ear has been cut off.
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The sky and Sakamoto's eye has been shaded slightly darker.
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Yoshika's reaction shot has the same contrast changes.
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Massively redrawn face, extra shadows, fixed eyepatch, eyes, everything.
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- On the TV version, when Sakamoto lifts her eyepatch, she rips a highlight off her face with it. This is corrected. The other highlight is removed.
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The outline to Sakamoto's plot-vision is slightly different, with the right side blur missing and a weird bar at the top removed.
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Sakamoto has her tail back.
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The other highlight is still MIA.
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Brighter shot of Miyafuji firing her weapon.
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And another.
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When Miyafuji flips around to raise a shield, the background stops scrolling to match her movements on the TV version.
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More ear nonsense fixed.
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This scrolling shot of damage being inflicted is sharper.
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Slightly different framing on the exposed core.
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Miyafuji's strikers, upper shirt and head have been recoloured in places.
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Slight reframe with a touch of motion blur.
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The clouds here scroll at a different speed.
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Shirley flies past slightly slower. Nyoom.
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More cloud changes.
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Miyafuji bobs up and down less agressively on the Blu-ray.
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More clouds. Clouds are boring. I think I'll stop commenting on the clouds.
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Slightly moved shot of guess who firing her Anti-tank rifle.
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Thankfully, they realised the pose Lucchini was in would have overbalanced her, so she's now standing upright. Miyafuji looks much happier.
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The black cowling part of Miyafuji's striker was in the wrong place, but unfortunately they fixed it by just covering her leg up more.
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More striker tomfoolery.
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Perrine's weapon is nice and shiny. Swoon.
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Same with Sanya.
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Trude bobs up and down a bit as she's readying hers.
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More bobbing up and down.
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They added some scrolling faint light patches to this shot of Minna flying. It's really faint, but helps get a sense of movement.
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Sakamoto (finally) getting in her strikers is given a quick dramatic zoom out.
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Sakamoto's propellers are always activated, rather than popping up a few frames late.
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This speed bwoosh is blurrier.
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Oh hey, it's this shot from the opening titles.
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The Neuroi is now trailing sparkles.
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Deja-vu.
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Sanya's eyes have been redrawn.
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Framing!
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The Neuroi zooms in as Sakamoto gets closer in the Blu-ray version.
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Trude and Erica are zoomed in and some sparkles are entering the frame.
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The Witches have been redrawn for this pan.
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Sakamoto's mirth looks less like a grimace.
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Miyafuji is noticeably taller and redrawn, Lynette is merely redrawn.
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Mio's nose has an errant line removed.
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And for our last shot, Perrinne's glasses have the nose rests coloured in.