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I can't think of anything witty to put here, so have a shot of everyone's legs, instead.Plothax and battleships. Shares a name with that popular song everyone likes.
Because the episode was running a little long for showing on TV, they omitted the opening titles, opting instead for laying the credits over the video. Personally I think this was a good move, as much as I like the song, as it doesn't interrupt the drama for a upbeat chirpy intro.
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The lighting in the scene of Miyafuji sneaking out is colder, looking more like a night scene.
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Sakamoto doing cool anime things with her cool anime sword is redrawn and repositioned.
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The redraw includes a different pose towards the end of the animation. It looks a little better!
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The bubbles are now sparkles.
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To make up for the lack of opening titles, they stuck the logo on the titlecard.
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Sakamoto has been redrawn with a much less saggy looking boob shadow.
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Luchini's finger is no longer painfully dislocated.
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Miyafuji looks sharper.
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Perrine is lower in the shot and has some minor tweaks, particuarly her eyes and that lone sweat drop. Also her paintball gun has better shading.
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The bobbing motion has been is much stronger, and there are a few minor changes and fixes here and there, particularly the intake of Miyafuji's right striker unit.
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The characters have been moved around, and Miyafuji is completely redrawn.
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Here's the NSFW moment for the episode;
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Alongside the decensoring, Miyafuji has extra eye shinies, a mark on her cheek is now a highlight rather than a shadow, and her mouth is smaller.
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Miyafuji's eyes are darker and sadder. Aww :(
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It's not quite as obvious, but this continues after she looks up.
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The crates and barrel they're sitting on are textured.
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Bucket Shadow!
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The crates and barrel look better from this angle, too.
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And again.
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Minna's left arm is in a different position, and she has a few minor linework changes to her uniform.
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Miyafuji's magic glow fades away during this shot on tv, which creates a continuity problem with the next angle, where it's still active.
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The shading is darker, particularly on the bright white patches. The dude on the floor in the middle of the shot has sharper facial details.
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Most of the shadows on the characters here have been altered and refined, and the checklist the captain is holding has some lines on it.
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Just like before, the highlights have been darkened. The awkward looking door that looks pasted over the background layer has been removed.
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A stray highlight on Hartmann's chest is removed.
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The shredded planes leave more debris behind.
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The guy in the background was accidentally placed ontop of the speaking tubes in the foreground.
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The gray filter used to reduce contrast has been removed for bright punchy explosiony goodness.
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Miyafuji and Lynette are repositioned, which looks a little more natural, and they seem sharper overall.
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Brighter boom!
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The striker stand indicator lights on the far left have swapped positions.
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The metal parts of the stands have brand new shiny shading.
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Lynette is redrawn softer, and has a section of her chest recoloured.
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The background is now out of focus, and Miyafuji has a big blobby tear in her eye.
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For a few frames while moving her head, a patch of her hair was missing;
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I should probably mention the big blush mark too, but I was honestly more interested in the Plane in the background with the folded wings.
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The dude on left here has darker shading to match the rest of the lighting, and Captain whatshisname drops his head slightly earlier.
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For a couple of angles, this sequence of Lynette dodging Neuroi laser beams has her redrawn, presumably because her weapon was infront of the foreground beam.
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The rest of the time the shot is merely brighter. There is some extra motion blur here that wasn't there before.
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The motion blur is removed towards the end of the sequence.
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Lynette's face and chest have been redrawn;
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As she falls backwards, her pose is changed to spread her limbs out further.
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And finally, her strikers are foreshortened and the falling weapon is redrawn larger.
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Miyafuji
copping a feel holding Lynette up have their bodies completely redrawn. The heads look the same to me, aside from Miyafuji's right ear being cut down and the eyes having more detail.
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Completely redrawn closeup shot here!
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Same with the long shot with better proportions on the striker and a tighter pose overall.
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Lighter sonic boom effect!
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Brighter tunnel shot of the interior of the Neuroi. Check out the face of this tweenframed Miyafuji.
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The TV version of this shot zooms in slowly over a few seconds, while it's motionless elsewhere. Is the perspective of the runway a bit off, or is that just me? Makes the base look much smaller than it should be.
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There are lots of small changes in this tilt shot, such as Lynette's hair, a patch of Miyafuji's hair, Miyafuji's right hand, and a few shadows. I've stitched this shot together for easier viewing.
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The final fadeout before the credits is faster on TV.